Woven in late 19th century Persia, this antique kilim has a distinct architectural composition. Its muted, naturally dyed wool, still rich and supple, speaks to the enduring quality of Persian tribal weaving.
A Bold Vision
The rug is arranged around a column of four exceptionally large oversized star medallions, a motif common to Shahsevan tribal rugs. These are surrounded by floating diamond motifs on a dusty madder red field. Completely surrounding the rug is an outer border of cocoa brown wool, outlined in white.
Although woven around 1880, the rug retains remarkable chromatic depth and structural integrity. Its wool is smooth and rich, with abundant abrash, the natural variations of hue and intensity that result from subtle variations in natural vegetable dyes. Accents woven in deep indigo, cocoa brown, and chalky slate fill out the composition. The large sections of white are undyed cotton. Seldom used in such substantial portions of a tribal kilim, cotton adds a brilliant contrast as it becomes brighter and softer over time, like a well-loved pair of denim blue jeans.
A Mix of Stylistic Influences
The rug reflects several stylistic influences. The central star motif is a hallmark of Shahsevan weaving, as is the slit tapestry technique used throughout. However, the crenellated border is a style attributed in the literature almost exclusively to Lori and Bakhtiari weavers inhabiting the foothills of the Zagros Mountain, far southwest of any area associated with a significant Shahsevan presence. Nonethless, a Shahsevan attribution is most probable, in part due to the tribe’s exposure to a diversity of weaving influences.
Wabi Sabi Weaving
The rug’s composition invites speculation. The drawing is crisp and precise, and the motifs are woven with extreme care. However, upon close inspection, one sees that the rug’s design is interrupted.
At one end, the weaver began to weave a wider motif in place of the star medallions that dominate the field. Yet after only a few rows of this pattern, she abandoned it and instead completed the border. It is impossible to discern how the weaver might have continued the rug, or whether she intended for it to have vertical symmetry.
Condition and Use
This rug is in excellent condition, with no noted flaws, stains, or tears. Its original selvedge remains in-tact, and the wool and cotton wefts are dense and supple.
This kilim will withstand heavy traffic.
